The key takeaways for beginners – skate the four dance holds with confidence, train deep edges and respect the shoulder-height limit on lifts.
| Item | Priority | Tip |
|---|---|---|
| Freestyle blades | High | Regular freestyle blades are enough at first – switch only once close holds become standard. |
| Ice dance blades | Medium | About 2.5 cm shorter with a smaller heel – no metal catching your partner on fast foot changes. |
| Clothing | Medium | Close-fitting cuts the collision risk in partner training noticeably. |
Concept: Pattern dances train edge quality in isolation from choreography – fixed steps, fixed music, fixed pattern, until it sits technically clean. Tip: Lean deliberately into the curve instead of staying upright – edge depth and flow are explicitly scored.
Concept: Waltz, Kilian, tango and open hold each demand their own body angle – most blade collisions happen during the change, not in a stable hold. Tip: Practise every hold change on its own and slowly, agree on lead and signal beforehand – only then build up speed.
Concept: Lifts have been deliberately capped at the carrying partner's shoulder height since the 1970s – progress comes from position and transitions, not more height. Tip: Build grip, timing and weight transfer on land first and drill the dismount as often as the lift itself – most falls happen on the way down.
| Hold | Feature |
|---|---|
| Waltz | Facing each other, one partner forward, the other backward – the classic entry hold. |
| Kilian | Side by side with hip contact – the closest continuous contact, millimetres decide blade distance. |
| Tango | Offset, facing opposite directions – as close as Kilian, different line. |
| Open | Hand contact only – choreographically free, but timing mistakes show instantly. |
Pro tip: Synchrony comes from shared timing, not from touch: drill twizzles solo until the axis is solid, then sync them by counting together. Video feedback shows every deviation mercilessly – use it before your coach has to.